An unexpected comparison can be drawn this holiday season between two of the biggest science-fiction franchises – Doctor Who and Star Wars. In both Peter Capaldi’s final turn as the Doctor in Twice Upon a Time and Rian Johnson’s sequel The Last Jedi, central characters openly advocate rejecting both their pasts, and indeed intertextually the pasts of their product’s own history. The Doctor, an old man on the verge of rejecting a new lifespan, ‘let’s go’ of his incarnation while The Last Jedi‘s ostensible villain, Kylo Ren, just about avoids fratricide as he advocates killing his own past, killing his own history and letting it die (and by default the known galaxy) to create something new.
In both examples, you have two long-standing, iconic storytelling franchises, both with powerful, ingrained and dedicated fanbases, actively attempting to jettison aspects which made them adored in the first place. And, indeed, in both cases, the fandom of both properties have lost their minds in desperately rejecting this rejection. I won’t rake over my earlier thoughts about the current state of fandom, but it gives birth to another question – why can’t fans let go of the past?
In principle, the answer is obvious. Fandom is a coming together of shared adoration and appreciation of work which touched us deeply, existentially. Star Wars and Doctor Who are both franchises, much like Star Trek or James Bond, which have defined the childhoods of at least three generations of people the world over. The power of how TV or movies imprint on children cannot be overestimated – they can define hobbies, life choices and behaviours for the rest of people’s lives.
People who haven’t experienced this struggle to understand the phenomenon and can find such fans worthy of mockery when they declare “this matters!”, often as a response to someone saying “chill out, it’s only a story”.Continue reading “From WARS to WHO our favourite franchises are evolving – why can’t their fans evolve with them?”