The so-called Conjuring Cinematic Universe confidently takes another key inspiration from Marvel’s all-dominant equivalent with Annabelle Comes Home by cementing the existence of the ‘horror movie superhero’.
Or, in this case, superheroes in the form of Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga in The Conjuring and The Conjuring 2 previously, both of whom neatly bookend this ‘interquel’, depicting the carnage wreaked inside their evil-containing fortress of a domestic home when pesky kids unleash the titular Annabelle and the entire contents of their terrifying basement. The Warren’s were, of course, real people – Lorraine died, indeed, earlier this year, and in The Conjuring they were portrayed much more handsomely and less eccentrically than in real life, but they remained nevertheless demonologist investigators in particularly that first movie; a married, far less dysfunctional Mulder & Scully if their focus were demons rather than aliens. This changes in Annabelle Comes Home. They begin to morph from the Mulder & Scully to the Steve Rogers & Natasha Romanoff of the Conjuring Cinematic Universe.
It may be left to the forthcoming The Conjuring 3 to hit that idea square on but Annabelle Comes Home certainly lays the foundations, exploring what happens when you remove those heroes from the narrative.