Upon leaving a screening of The Force Awakens in 2015, you would be forgiven for having one question on your mind: who exactly is Rey?
Our new heroine for the revived, sequel era of Star Wars launched by JJ Abrams through the Disney-purchased LucasFilm, Rey was deemed by that film to be ‘special’. Abandoned mysteriously on the desert planet Jakku by parents she always expected to return for her, Rey is then cosmically bound to the Skywalker saga she ends up stumbling, with escaped Imperial Stormtrooper Finn, into the middle of. She feels connected to the lightsaber of the missing Luke Skywalker, which even gives her a vision of all kinds of backstory arcanum. By the end, she is tentatively wielding the weapon of a Jedi, without truly understanding the context. The Force Awakens fully establishes Rey as important with a capital I.
Then comes along The Last Jedi, written and directed by Rian Johnson, who almost immediately rips all of that away. Luke doesn’t think all that much of the lightsaber Rey reverently holds out to him on Ahch-To island. Arch villain Kylo Ren, the only one of our main new characters to actually be a Skywalker by blood, tells her what he believes she already knows – her parents were nobody, that she is no one special. Ren uses that as his basis, in The Last Jedi, to encourage her to join the Dark Side as his queen. If she is nobody special, like all of the fascist goons who joylessly work for the First Order and the Empire before it, Rey will become compliant. Exceptionalism corrupts. Belief that you have cosmic significance can breed dangerous traits. Yet Johnson doesn’t truly believe that. He believes precisely the opposite. You don’t have to be exceptional, to be special, to be significant.
The Rise of Skywalker, the concluding part of the Star Wars sequel saga, challenges that. It definitely proves that Star Wars, and perhaps popular culture, has an exceptionalism problem as we enter a new decade.Continue reading “THE IMPORTANCE OF BEING REY: Star Wars’ Exceptionalism Problem”