Film, Scene by Scene, Star Trek: Nemesis

Scene by Scene: STAR TREK: NEMESIS Pt I – ‘A Generation’s Final Journey Begins’

As Star Trek: Picard begins, with the return of The Next Generation era, I’m going to take a scene by scene look back in the next couple of months about the tenth Star Trek film, Stuart Baird’s Nemesis, from 2002…

‘A Generation’s Final Journey Begins…’

That was the uniquely ominous strap line for Star Trek: Nemesis at the end of 2002. The promise of closure. 

After fifteen years, since The Next Generation launched on television in 1987 and triggered the second era of Star Trek, the voyages to go where no one has gone before for Captain Jean-Luc Picard and the crew of the Enterprise-E (formerly D) would be coming to an end in the fourth and final film for a dynamic new crew slipping gracefully into middle age. Voyager had just ended on television after seven years but Enterprise was in its second season, and there was every indication more spin-off shows would eventually line up alongside it. To Paramount, franchise producer Rick Berman, and the cast and crew, it felt like the right time to bring the curtain down on these characters.

Many remembered how just over a decade previously, The Undiscovered Country had quite naturally retired the crew of The Original Series. It felt apt, with a group of characters born in the heart of Cold War detente and futuristic optimism, to see Kirk, Spock et al warp off into the sunset as the Soviet Union fell and the geopolitical paradigm changed. Nemesis struggles to replicate that same feeling of finished business. The Next Generation crew never entirely gelled with the cinema in the way The Original Series crew had, and arguably only First Contact stands out with time and distance as a truly great Star Trek movie. Kirk & company found each other again in middle age and discovered a creative renaissance, triggered by the success of The Wrath of Khan. Picard and his crew went immediately from the end of their series into Generations and a movie saga, stuttering across a decade in which the world changed around them.

Nemesis, released in the long shadow cast on all American storytelling by the horrific events of September 11th, 2001 in New York, as a result feels like the reluctant last gasp of Star Trek’s second era, wedged amidst the embers of Reaganism and the post-Cold War ‘End of History’ that 9/11 blew out of the water.

It feels, oddly, like a crew who aren’t quite as ready for retirement as everyone thinks.

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Essays, Film

Quentin Tarantino’s STAR TREK makes no sense to me – this can only be a good thing

Let’s be honest, nobody expected this, did they?

Though specific confirmation hasn’t exactly taken place, it’s looking more and more likely the rumour that Quentin Tarantino met with Paramount and series producer J.J. Abrams to pitch a Star Trek movie is true, and that said movie could well be his tenth picture after filming his 1969 Manson era drama. Not only that, Paramount reputedly have assembled a working writers room to flesh out Tarantino’s idea into a script, and have signed off on his insistence the picture be R-rated.

Just let this all digest for a moment… that’s an R-rated Star Trek movie directed by Quentin Tarantino.

It really does sound like the stuff crystal meth dreams are made of, don’t you think? That level of fantasy casting when it comes to cast and crew for your favourite property. Usually when rumours like this float up to the surface, they’re quickly disposed of as lunacy or the workings of a website or tabloid, a perfect example of Trump-ist ‘fake news’. This one, bizarrely, seems to be true, at the very least the notion that Tarantino pitched Paramount a Star Trek movie idea which they absolutely loved.

Star Trek IV: Effing and Jeffing? Well, this is now part of the reactionary state of worry within much of the fandom.

Continue reading “Quentin Tarantino’s STAR TREK makes no sense to me – this can only be a good thing”