Books, Doctor Who

PULL TO OPEN: The Inside Story of How the BBC Created and Launched Doctor Who (PAUL HAYES) | Book Review + Author Interview

As we approach the dawn of a new era for Doctor Who, the most indefatigable science-fiction series in British television history, it is easy to forget the long and winding road it took to the precipice of the mega franchise it looks poised to become, with Russell T. Davies’ Bad Wolf now in bed with Disney. The sky looks the limit currently.

Yet it began as the quirkiest of quirky shows at the beginning of a 1960s BBC landscape that was vastly different from the one either we inhabit now, or Doctor Who existed within during heydays of the 1970s even and 2010s. Looking back at many of those original serials (given Who was produced in the now archaic children’s television format of 25 minute weekly episodes), for years filmed in black and white with a budget so low it these days wouldn’t probably even cover the catering, they could be from another universe entirely.

1963 was when William Hartnell first led an ensemble cast as the eccentric Doctor (later christened the First Doctor), an alien old man who travelled space and time in his TARDIS, permanently camouflaged as a blue police box, with his granddaughter Susan and following first serial ‘An Unearthly Child’, school teacher companions Ian & Barbara. Sixty years later, Doctor Who is iconic; as key to British television history as Coronation Street or Match of the Day. Despite many attempts over the years to end it, even before it officially began, it is indestructible.

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Doctor Who, Essays, TV

DOCTOR WHO Season 12 is Regenerating… Back into Itself

Hands up if you were truly excited by Doctor Who Season 12? Nope, me neither.

I can remember the days I used to plan my entire Saturday night around this show, particularly in the era of Steven Moffat, who decrypted and deconstructed the very premise of the BBC’s strangest show, still on air after almost sixty years. Nights out with friends would be regularly predicated on whether new Who was watched or taped or somewhere in between. That started to change, in fairness, before Chris Chibnall’s era arrived. The final season or two of Moffat’s run, with Peter Capaldi’s Doctor, lacked the same kind of narrative or creative impetus than earlier years. The show began, to some degree, to eat its own tail.

Many fans, those who hadn’t been inexorably alienated by Moffat’s eternally divisive, glib and throwaway style of meta-fiction (or in this case meta-science-fiction), saw with Chibnall and the first ever female Doctor, as played by the already strong character actor Jodie Whittaker, a chance to clear the decks and provide something fresh and new. A move away from Moffat’s style of long-form narrative arcs, inverted stories that chewed away at traditional ideas, and the innate cynicism of Capaldi’s slightly curmudgeonly take on the character. Which is, by and large, exactly what we got with Season 11. It was lighter. It was self-contained. It had no real narrative through-line of note. And it was deliberately unburdened by eras past.

It was also, almost universally, rejected by critics and fans alike. Very few people enjoyed Chibnall and Whittaker’s first year. The knives were out. And as Season 12 premiere two-parter Spyfall proves, Chibnall has course-corrected in the most inevitable of ways. He’s turned back.

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Doctor Who, Episode Reviews, TV

DOCTOR WHO: ‘Twice Upon a Time’ is the reverent goodbye to a memorable Doctor | TV Review

Bidding goodbye to another incarnation of the Doctor has now become as much a staple of Christmas Day every few years as Del & Rodders or Morecambe & Wise used to be in the days classic comedy dominated the British television landscape.

Doctor Who over the last decade has cemented itself as the storytelling event in the UK on Christmas Day, after Russell T. Davies revived the series with a new, modern, American ‘showrunner’ style of production in 2005. We have in twelve short years got through four Doctors (five if you count John Hurt) and their life-cycle has become a repeating standard – barring Christopher Eccleston, every successive Doctor has roughly been around for three seasons over a three to four year period. Peter Capaldi has been no exception but this regeneration, in Twice Upon a Time, is different.

We’re not just getting a new Doctor. We’re about to get an entirely new Who.

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