TV, Writing

Six Seasons and (No) Movie (Yet): Reflections on COMMUNITY

We all have those shows or movies that we sailed right on past, don’t we? Community was absolutely one of mine.
For years, I had close friends knowledgeable about television encouraging me to check in on Greendale Community College but for whatever reason, it never quite happened. I used to hear #sixseasonsandamovie and miss the reference. The first time I saw Joel McHale in anything was the revival of The X-Files. I spent *far* too long not knowing who Donald Glover was. All of these are on me. In hindsight, having just binge-watched almost the entirety of the series in around three weeks on Netflix (and slightly on Amazon), I can safely say Community is one of those shows that I am disappointed not to have experienced with everyone else at the time. I feel like those people who refuse to watch Game of Thrones and have no idea what they missed out on.

Let’s face it, Community is unique. There has never been a sitcom quite like it. You might call it a sitcom about sitcoms but that’s disingenuous. Community is more a sitcom that knows it’s a sitcom, and works hard to transcend a complex series of established formulas that have been in place for decades. Dan Harmon, the primary ubermind behind the adventures of the Greendale study group whose eventful college lives we observe each episode, understands tropes exist to be deconstructed and analysed, and deeper comedy can be reached in our post-modern landscape by encouraging the audience to be aware of said tropes. Community respects the so-called ‘fourth wall’ while never quite breaching it. In a sense, Harmon’s show is post-post-modern.
What’s great about Community, even as a show that arguably peaks and then troughs, is that it understands the sitcom well enough to deconstruct it while at the same time playing to the strengths of that same formula.
Continue reading “Six Seasons and (No) Movie (Yet): Reflections on COMMUNITY”