The X-Files, TV, Writing

Let’s give X-FILES: ALBUQUERQUE the benefit of the Truth

Fox threw fans of legendary 1990s pop-culture phenomenon The X-Files a curve ball last week by announcing the development of a brand new, spin-off series.
X-Files: Albuquerque, which is currently being worked up for the network (and by extension their overlords, Disney), is planned to be an animated comedy revolving around a collection of “misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with.” as described by TV Line’s Michael Ausellio. The project has a ‘script and presentation commitment’ from Fox (translated: if they like the script, they’ll let them make it) and is being developed by Rocky Russo & Jeremy Sosenko, with X-Files creator Chris Carter and his former PA/Season 11 scribe Gabe Rotter overseeing as executive producers. The old and the new joining forces, essentially, for a new chapter in the history of the series.

I say series because The X-Files will, if this does come to fruition, take the first steps to becoming a franchise; not just one singular, iconic series any longer, but rather part of a broader tapestry that could expand beyond the adventures of Fox Mulder & Dana Scully, who with David Duchovny & Gillian Anderson in the roles investigated America’s paranormal secrets between 1993-2002, across two movies, and then between 2016-2018 for what will, almost certainly, be a swan song for the traditional era of that show. Fans don’t want to admit it (I run an X-Files podcast so, trust me, I know), but the original series of The X-Files is done. Anderson doesn’t want to revive Scully again. Season 11 wrote the show into a corner, effectively, and it’s hard to imagine just what else you could do with the middle aged Mulder & Scully now that hasn’t been done.
In other words, this might be the right time for Albuquerque, if you subscribe to the idea The X-Files should even become a franchise at all.
Continue reading “Let’s give X-FILES: ALBUQUERQUE the benefit of the Truth”

Essays, The X-Files, TV

The X-Men Files: Disney, the future, and William

If you’re a fan of The X-Files, there’s a very good chance you’ve now seen how it ends. The eleventh season, at any rate. To suggest The X-Files has truly ended with any kind of assurance is to suggest maybe Santa won’t be back next Christmas. By now, and as I’ve discussed previously, The X-Files doesn’t end. It’s always going to be with us, somehow.

What is now interesting is the fallout from the Season 11 finale, My Struggle IV, and what people are starting to look at as being the continuation of The X-Files. As I stated in a previous piece, we are at a crossroads in terms of where Chris Carter takes his beloved half a century old property.

The season finale—which we’ll call it until Carter or anyone else confirms this iteration of the series is over—left Agents Mulder & Scully in the position where they can either pick up their work in some fashion and continue on, or walk away and begin a new life as the family unit millions of ‘shippers’ have always wanted them to be.

However, what is interesting in fan circles is not Mulder & Scully’s future, but that of their son William.

Continue reading “The X-Men Files: Disney, the future, and William”