In a recurring feature called Partisan Cinema, A. J. Black looks at movies from a political slant, gleaning insight from them about how they relate to society then, and indeed now…
Brexit: The Uncivil War is current, fascinating, terrifying and quite frankly absurd in equal measure.
It came as no surprise to find out a major consultant on this joint Channel Four and HBO drama was Tim Shipman, the author of All Out War, a comprehensive, forensic exposure of the battle central to Toby Haynes’ film: the Leave and Remain campaign’s divisive, controversial conflict to decide the outcome of the EU Referendum in June 2016, which very quickly became known as ‘Brexit’. For anyone in the UK, there is no word you are more likely to see, read or hear about politically right now than Brexit, save perhaps the surname Trump or the word Covid. It is all pervasive, all-consuming, and Shipman’s book places into clear context just how we ended up where we currently are.
The Uncivil War is, essentially, an adaptation of his non-fiction tale of events from both sides of the camp, though it is framed around, frankly, the far more interesting side of the divide: the Leave campaign. The campaign who won. The campaign with characters far less milquetoast than anyone who fought to Remain. The campaign who fought a dirty war of new frontiers and who the Remain organisation were, almost always, two steps behind. I say this as a firm Remainer—let’s get that pretty clear right off the bat—who thinks Brexit is the single greatest British catastrophe since appeasement.
Nevertheless, The Uncivil War attempts to show us the real story. The story behind all of the news reports, and the political briefings. The story you have heard on fringe websites or even via conspiracy theorists, or slanted from newspapers right and left. The story of how Brexit changed democracy and changed politics, in a way nobody in Britain, the EU or beyond, ever expected. All Out War is teeming with inside jobs, murky suggestions of dark political wizardry, and schemes upon schemes in a battle often outside the minds eye of the public.
What we actually end up with is Brexit: The Panto, with Benedict Cumberbatch as the veritable Peter Pan.