If the problem with Taken lay in how bland and rote the narrative plotting around the Rambaldi mythology felt as the series attempted to combine it with character work, The Frame works by and large in how to fuse those elements together effectively.
This is not a top tier Rambaldi mytharc episode, nor indeed a great episode of Alias, but it does two things well: it advances the Rambaldi enigma just enough to intrigue the audience and further us deeper into new territory, and it weaves the machinations of Lauren (and more of a background Sark) into the ongoing, steady revival of Sydney & Vaughn’s relationship without them drowning out everything else in the story, as was the case in After Six. Though some of the twists here stretch some level of credulity, particularly the Reed family dynamic, it nonetheless has fun playing with Lauren covering up her duplicity as opposed to be it being something of a laborious burden around the series’ neck, as it was already swiftly in danger of becoming.
Alongside this, writer Crystal Nix Hines has great fun in transforming the Rambaldi mythology into a gigantic treasure hunt to a degree we haven’t previously found. The crystals hidden in the ocean which serve as a map to how to open the Rambaldi box is all very Indiana Jones, arguably another key touchstone for Alias’ conspiracy and revisionist history, but it is given appropriate space to indulge this kind of pulp adventure serial storytelling in a way Full Disclosure, which saw Syd & Andrian Lazarey undergoing their own Indy-style Rambaldi hunt, didn’t have the time or space to do. There could be an entire spin-off comic series about Syd/Julia’s hunt across the globe for the Rambaldi keys in that episode but we never get it. The Frame indulges those same aspirations to have the Rambaldi mythos a continued hunt for literal buried treasure and the exposure of secrets.
It is a relatively functional episode of Alias, again transitory in how it moves characters and storylines from A to B, but The Frame is certainly more assured in the B-movie storytelling it indulges.Continue reading “ALIAS 3×17: ‘The Frame’ (TV Review)”