There is a debate coming about Spider-Man: No Way Home, set to go down in cinematic lore as both the end and a new beginning for Tom Holland’s Peter Parker. A debate around just how much fan service has now arrested control of popular cinema.
While No Way Home will almost certainly do gigantic box office business, even by the metrics of the hugely successful Marvel Cinematic Universe, not everyone is going to embrace the ambitious steps Jon Watts’ film takes. This isn’t, after all, simply the concluding beat of a three-film trilogy, such as we saw in Sam Raimi’s Spider-Man 3 (and let’s not forget there was talk of a fourth for a time afterward). No Way Home is the conclusion of seven previous Spider-Man adventures, not to mention Holland’s web as a character within the wider MCU itself.
In that sense, Marvel have crafted a sequel quite unlike any other here, by tapping into the burgeoning concept of the ‘multiverse’ in the way audiences have previously understood to be the point of parallel universe stories: to depict alternate versions of the same characters. The MCU has thus far established the concept on more of a conceptual level in outings such as Loki, or even irreverently in the last Spider-Man film Far From Home or in elements of WandaVision. Here, the franchise goes for broke in providing audiences with long-standing closure that, had the MCU not been as rampantly successful, would never have happened.
For some, like this writer, the result is joyful. Others will find it infuriating and strangely reductive. And either way, No Way Home could be a sign of times to come, should it be the huge success people are predicting.