Causality Loop, Star Trek: Picard

Causality Loop: Schrödinger’s Guinan in STAR TREK: PICARD

In this semi-regular column looking at time travel in fiction, Causality Loop explores the interesting paradox of the Guinan character in the recent second season of Star Trek: Picard

BEWARE SPOILERS for Picard Season 2.

A tried and tested Star Trek trope, time travel is the principal gambit behind the second season of sequel series Picard.

The mechanics of how it works are largely a magical combination of Star Trek mechanisms, from the slingshot effect around the Sun first seen in 1986’s fourth movie with The Original Series crew, The Voyage Home, with a liberal dose at the same time of the Borg Queen’s temporal vortex abilities we saw in the Next Generation’s second film First Contact. It’s all designed deliberately to evoke the nostalgia of those earlier means of time travel without needing to delve into any kind of logical temporal theory.

Where things get complicated is over the question of Guinan. One of TNG’s most beloved supporting characters, played with enduring mystery by Whoopi Goldberg since the late 1980s, we see her return in season premiere The Star Gazer in the early 25th century before, once the La Sirena crew go back to the year 2024, she gets a new bit of youthful casting in Ito Aghayere, portraying a Guinan who hasn’t yet met Jean-Luc Picard in the early 21st century.

Does this contradict Star Trek canon and the established timeline? Possibly. Possibly not. Let’s just call her, for now, Schrödinger’s Guinan.

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Season Reviews, Star Trek: Picard, TV

STAR TREK: PICARD (Season 2) is a frustrating, contrived wallow in nostalgia

If ever proof were needed that the writers and producers of modern Star Trek study what audiences think and feel about their shows, then Star Trek: Picard’s second season is most assuredly it.

The first season was a defiant aberration even in the context of Star Trek’s modernisation. Ostensibly a character study, the first Star Trek series directly focused on a popular icon from the broader franchise, Picard was deliberate in just how determinedly it refused to play to the gallery of Star Trek expectations. We only saw Starfleet and the Federation in passing and they were reconceptualised, in the wake of the Trump Administration, as at best an insular, ignorant organisation driven by paranoia, at worst an openly corrupt government. There was no glistening starship our characters travelled on. No exploring new worlds.

This made sense, in broad strokes, given what Picard was designed to explore. Sir Patrick Stewart agreed only to return for a deconstruction of his legendary Enterprise Captain; aged, lost at the end of a century he no longer recognises, haunted by his inability to save a population formerly made up of ideological enemies from a natural catastrophe. Surrounding him with newly invented characters, placing him far from the world of Starfleet he was so closely associated with, the first season of Picard worked to take Jean-Luc on a journey to rediscover the spirit he had lost. A dark series, it dared to suggest the 24th century future fans had imagined after Star Trek: Nemesis was quite different from what would have been expected.

Which, in part, is why Season 2 immediately reverses track. Star Trek: Picard gives in to audience expectation, maybe even pressure, to try and tap not just a 1990s but also 1980s nostalgia for the franchise. It largely fails at both.

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