If ever proof were needed that the writers and producers of modern Star Trek study what audiences think and feel about their shows, then Star Trek: Picard’s second season is most assuredly it.
The first season was a defiant aberration even in the context of Star Trek’s modernisation. Ostensibly a character study, the first Star Trek series directly focused on a popular icon from the broader franchise, Picard was deliberate in just how determinedly it refused to play to the gallery of Star Trek expectations. We only saw Starfleet and the Federation in passing and they were reconceptualised, in the wake of the Trump Administration, as at best an insular, ignorant organisation driven by paranoia, at worst an openly corrupt government. There was no glistening starship our characters travelled on. No exploring new worlds.
This made sense, in broad strokes, given what Picard was designed to explore. Sir Patrick Stewart agreed only to return for a deconstruction of his legendary Enterprise Captain; aged, lost at the end of a century he no longer recognises, haunted by his inability to save a population formerly made up of ideological enemies from a natural catastrophe. Surrounding him with newly invented characters, placing him far from the world of Starfleet he was so closely associated with, the first season of Picard worked to take Jean-Luc on a journey to rediscover the spirit he had lost. A dark series, it dared to suggest the 24th century future fans had imagined after Star Trek: Nemesis was quite different from what would have been expected.
Which, in part, is why Season 2 immediately reverses track. Star Trek: Picard gives in to audience expectation, maybe even pressure, to try and tap not just a 1990s but also 1980s nostalgia for the franchise. It largely fails at both.Continue reading “STAR TREK: PICARD (Season 2) is a frustrating, contrived wallow in nostalgia”