It is easy to forget, for all the subsequent success with the Mission Impossible, Star Trek and now Star Wars mega-franchises, that the pilot episode of ABC’s Alias remains one of the best things producing and show-running supremo J.J. Abrams has ever done. Truth Be Told is a blistering sixty five minute opening to a rare TV show – one which comes on the face of it fully packaged, fully formed, and with a confidence and spring in its step that belies its quiet, low-fi origins. There is more to this package, and how it was created however, than meets the eye.
Think back to 2001. Had anyone heard of Abrams at that point? He was established – a proven Hollywood screenwriter with credits such as Michael Bay’s Armageddon or Harrison Ford vehicle Regarding Henry, not to mention four seasons of teen drama Felicity as a show runner. Those movies were nonetheless famous for their stars and directors, not the glasses-wearing megamind of Abrams bashing away at the words, and Felicity was never particularly that big of a hit – I’m not sure it ever even aired in my native UK, and if it did it went largely unnoticed. Alias was the series which put Abrams, and most of his writing staff, on the map.
The first season of his spy drama races out the gate with fast-paced, stylish storytelling, which crucially never forgets to place character at the heart of every beat, every scene and every plot-twist. Truth Be Told is B-movie, pulp action with significant heart and soul.
That description could characterise Alias in general, in many ways. Abrams starts his story in media res, to quote the Latin; the narrative flashing-forward, introducing us to our protagonist Sydney Bristow, and our star Jennifer Garner, in a deadly situation – captured, speaking in Mandarin, already beaten up, and awaiting some kind of awful horror behind the door of the dingy room she is being held in.Continue reading “ALIAS 1×01 – ‘Truth Be Told’ (TV Review)”