Every franchise has their lexicon of tantalising lost projects, stories which failed to see the light of day, and James Bond is no exception.
Many of these tales are public knowledge and have been documented over the decades since 007 came to the big (and small) screen in various incarnations and guises, but Mark Edlitz is one of the few scribes to comprehensively piece together the fabric of James Bond narratives lost to the ages and weave them into a document which, rather forensically, presents many of these fascinating fragments into a coherent meta-narrative of his own.
This is something we are going to see our erstwhile heroine Sydney Bristow struggle with a great deal as we work our way through Alias, and right from the beginning of So It Begins…, it is very clear that Syd is way too close to the mess she’s involved in. This is understandable. Her fiancee has been murdered, she has found out she is working for a global crime syndicate rather than the US government, and to top it all off her Dad has been lying to her all her life. If Season 1 of Alias is about anything, broadly, it’s about Sydney coming to accept the life she has always been destined for.
So It Begins… honestly has quite a task on its hands. Truth Be Told remains one of the strongest pilot episodes of a genre TV show in US TV history. J.J. Abrams established the premise of his retro-futurist spy saga while taking his protagonist on a real journey over the course of that opening hour. How does a second episode, meant to kickstart the first season after the introduction of the pilot, possibly measure up? So It Begins… as a title almost feels like a nod to that very question. You can almost feel Abrams, who returns to pen this one, saying “yeah, I know, how do I follow that?”.
What he does is, essentially, re-establish the mission statement he put across in Truth Be Told, by throwing the audience right into the thick of Syd’s life and work in a similar fashion the pilot did.