One Foot in the Grave, TV, Writing

ONE FOOT IN THE GRAVE – ‘The Return of the Speckled Band’ (1×06 – Series Retrospective #6)

30 years old in 2020, I’m going to look at David Renwick’s unique British sitcom One Foot in the Grave to celebrate the anniversary of one of the UK’s most innovative comedy series of all time…

We continue by looking at the sixth and final episode of the first series, The Return of the Speckled Band, which first aired on February 8th, 1990…

As befits the traditional sitcom format, particularly the British sitcom format, the final Series 1 episode of One Foot in the Grave comes with no great moment of cathartic realisation for Victor Meldrew. Life goes on.

Whether the series would go on at this point was an open question. Critics remained divided, as they had been all series, about whether One Foot would become a classic or be consigned to the far more cluttered wrecking yard of failed British sitcoms. This being the era before online discourse, it was down to the print newspaper and their in-house critics to gauge the pulse of comedy, and while papers such as the Daily Mirror, the now-defunct Today or the Daily Express were favourable come the end of Series 1, others such as the Independent or the Daily Telegraph were quite the opposite. Christopher Tookey in the latter remarked that he felt the series offered “in general, a distorted and depressingly old-fashioned view of old age”.

The irony is that The Return of the Speckled Band might actually be the funniest half hour of the series so far. While by no means vintage One Foot, it certainly feels like David Renwick manages to latch here onto several strong comedic threads and take them to some satisfying conclusions, in a manner the previous five scripts never quite managed to do. Two that stand out in particular are the recurring problem of the hat palmed off on Victor that he tries to rid himself of but keeps coming back to him, and Mrs Warboys with her chronic sickness which intertwines with what otherwise would have been an enormously random narrative of an escaped python quite brilliantly. We haven’t quite seen Renwick weave his plots this skilfully yet in One Foot, and it displays what the series is capable of.

The Return of the Speckled Band also, in a relatively quiet fashion, dovetails with the opening episode of the series in suggesting Victor is trapped in an existential spiral he can never quite escape.

Continue reading “ONE FOOT IN THE GRAVE – ‘The Return of the Speckled Band’ (1×06 – Series Retrospective #6)”

One Foot in the Grave, TV, Writing

TV Review: ONE FOOT IN THE GRAVE – ‘The Return of the Speckled Band’ (1×06)

As befits the traditional sitcom format, particularly the British sitcom format, the final Series 1 episode of One Foot in the Grave comes with no great moment of cathartic realisation for Victor Meldrew. Life goes on.

Whether the series would go on at this point was an open question. Critics remained divided, as they had been all series, about whether One Foot would become a classic or be consigned to the far more cluttered wrecking yard of failed British sitcoms. This being the era before online discourse, it was down to the print newspaper and their in-house critics to gauge the pulse of comedy, and while papers such as the Daily Mirror, the now-defunct Today or the Daily Express were favourable come the end of Series 1, others such as the Independent or the Daily Telegraph were quite the opposite. Christopher Tookey in the latter remarked that he felt the series offered “in general, a distorted and depressingly old-fashioned view of old age”.

The irony is that The Return of the Speckled Band might actually be the funniest half hour of the series so far. While by no means vintage One Foot, it certainly feels like David Renwick manages to latch here onto several strong comedic threads and take them to some satisfying conclusions, in a manner the previous five scripts never quite managed to do. Two that stand out in particular are the recurring problem of the hat palmed off on Victor that he tries to rid himself of but keeps coming back to him, and Mrs Warboys with her chronic sickness which intertwines with what otherwise would have been an enormously random narrative of an escaped python quite brilliantly. We haven’t quite seen Renwick weave his plots this skilfully yet in One Foot, and it displays what the series is capable of.

The Return of the Speckled Band also, in a relatively quiet fashion, dovetails with the opening episode of the series in suggesting Victor is trapped in an existential spiral he can never quite escape.

Continue reading “TV Review: ONE FOOT IN THE GRAVE – ‘The Return of the Speckled Band’ (1×06)”

Essays, TV

FLEABAG and the Masterpiece criteria

The word masterpiece is too often thrown around with abandon in this hyperbolic day and age, but the term might well be apt for the BBC comedy drama Fleabag, which reached a much anticipated conclusion this week.

Writer and star Phoebe Waller-Bridge had to be talked into developing a follow up to her nihilistic dark comedy from 2016, in which she played the titular, unnamed ‘Fleabag’; a grief-stricken early thirty-something in modern London using sex as coping mechanism for her guilt and attachment issues. While it sounds intense on that description, Fleabag was anything but, as the hugely impressive second season has proven. Fleabag was beautiful, insightful, sad, moving, melancholic and laugh out loud funny, often in the most mordant and inappropriate way.

What qualifies it as a masterpiece? That’s the question. What makes it, potentially, as important a piece of comedy and drama to deserve a place among the recognised greats.

Continue reading “FLEABAG and the Masterpiece criteria”
Alan Partridge, Essays, TV

The Many Lives of ALAN PARTRIDGE: Exploring Britain’s most enduring comic creation

There is something unique about Alan Partridge, a comedic alchemy which transcends one moment and one space.

With the end of This Time, and Alan’s stint as an unlikely co-host parachuted into the BBC’s fictional prime time magazine drama, it feels like Alan’s journey has come full circle. He began life as a radio disc jockey turned news presenter, blossomed into a chat show host, suffered a spectacular fall from BBC grace, toiled in the doldrums of regional radio, and at the conclusion of This Time, looks set to never—never!—work in television again.

In reality, we know this won’t be the case. The Partridge will always rise (like the phoenix) when the time calls for him. Alan is both a product of his time and becomes the product of whatever time he finds himself in.

Continue reading “The Many Lives of ALAN PARTRIDGE: Exploring Britain’s most enduring comic creation”