In a recurring feature called Partisan Cinema, A. J. Black looks at movies from a political slant, gleaning insight from them about how they relate to society then, and indeed now…
Given The First Purge is first and foremost a horror movie, this may seem like a redundant question. Blumhouse Productions naturally want us to be afraid of a picture designed to make audiences jump and scream, but The Purge franchise has never been simply a series of jump-scare horror films. The most recent prequel, depicting how the concept of the Purge came to be, presents a deeper, more existential question which, by the day, seems to grow in power.
Should we be scared that The First Purge could actually, in some form, one day happen?
The deeper sociological and political quandaries posed by Blumhouse and writer-director James DeMonaco’s franchise have always been more intriguing than the storytelling itself in these movies. Don’t get me wrong, after the somewhat listless 2013 entry that opened the franchise—which presented itself more in the vein of a home invasion horror in the wake of successes such as The Strangers or Funny Games, no doubt to accentuate The Purge along more of an axis horror fans had responded to in the past—the franchise has steadily with sequels Anarchy and Election Year evolved into more of a grotesque action-thriller/horror spectacle, and benefited from that direction.
Continue reading “Partisan Cinema: THE FIRST PURGE (2018) – Ultraconservative Horror to fear?”