Out of every modern Star Trek series currently on air, Lower Decks bounced into its second season with the brightest springing step.
While not every Star Trek fan of old finds Lower Decks their cup of Earl Grey, amongst fans who do enjoy it, and indeed critics, Mike McMahan’s animated comedy clicked almost right away. Taking the precepts of Star Trek animation and vibrantly updating them with a beautifully drawn, Seth McFarlane-esque sheen, Lower Decks avoided the trap initial commentators feared: that it would be funny at the expense of Star Trek. This was not the case even from Second Contact, the opening episode, which established the core concept of a series revolving around the lowly crew members on the second rate Starfleet vessel, the U.S.S. Cerritos. Immediately, Lower Decks was an affectionate lampoon.
One of the key reasons Lower Decks worked, by and large, straight away, was the feeling that it was written and animated by people who truly loved and crucially understood Star Trek as an idea. McMahan, parlaying the TNG S8 comedy Twitter account stylistically into the series, saw an opening for spoof in the cheesy 1980s utopian formalism of The Next Generation and leaned into mockery that played, almost entirely, with the audience’s knowledge and awareness of the tropes it was spoofing, be it Captain’s Logs, holodecks programs or the crew dynamics on the ship. Lower Decks was never truly a series for franchise newcomers, it was always an affectionate love letter to Star Trek fans of the 1990s, and was unashamed of being so.
Season 2, therefore, works simply to build on what the first season established. It maintains the greatest level of consistency in a modern Star Trek series between seasons while managing to successfully take what worked in the first year and often amplify it. There is no doubt – Season 2 is, overall, a stronger year of Lower Decks than Season 1.