TV, Writing

TV Review: THE CROWN (Season 4)

The fourth season of The Crown revolves around three of the most powerful, beloved and divisive women in 20th century British history: Queen Elizabeth II, Margaret Thatcher and Diana, Princess of Wales.

That makes Season Four of Peter Morgan’s half-century-plus spanning political, dramatic opus perhaps the most anticipated year of the series to date. Filled with intrigue the post-WW2 years of Elizabeth’s coronation or the revolutionary state-led changes to British societal fabric of the 1960s might be, they struggle to hold a candle to the scandal-fuelled, politically thrilling 1980s as Her Majesty finds herself balanced between two very different wars. One between the newly-minted Thatcher and the people suffering thanks to her policies, with her one-woman quest to banish economic decline and revive moral-led, individualist British values in full flow. The other betwixt her son and heir, Charles, and his beautiful new wife, a woman who swiftly captured the heart of a nation.

Many viewers of this season of The Crown will have been there and recall this period of modern British history vividly.

Taking place between 1979 and 1990, I was a touch too young to remember key incidents play out here, born as I was in 1982, but having come into the world a mere three weeks before Prince William, I grew up acutely aware of Princess Diana as someone who meant a great deal to my mother. She encapsulated something the Royal Family had never encountered before and might never encounter again – a bridge between the huddled masses who still, at this stage, believed in the traditional pomp and ceremony of royalty, and the Royal line themselves. My mother had the Charles & Di wedding memorabilia. She bought into the marriage and was, like many, disappointed to see it begin to break apart.

The Crown brings to bear history that remains powerfully tethered to the world we now live in, to a greater extent than any season before. That adds to the expectation and, ultimately, doubles the disappointment when the end result isn’t quite as excoriating or far reaching as you want it to be.
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Season Reviews, The Crown, TV

THE CROWN (Season 3) reveals the state of the monarchy (TV Review)

Roughly halfway into Peter Morgan’s sprawling potted history of Queen Elizabeth II, you realise The Crown has reached a point of security. After two seasons which made a star out of Claire Foy and gave Netflix perhaps it’s most prestige original property, Season 3 has the self-assured confidence we see Elizabeth, now middle-aged, begin to imbue.

The unique central gimmick of Morgan’s drama was announced at the very beginning – that every two seasons of a projected six, the actors portraying Her Majesty and family would age-up alongside the characters themselves, and Season 3 marks the first instance of this change. Foy truly made Elizabeth her own, essaying with grace a young woman thrust into a role unlike any other on the planet while having to balance her own youth and sexuality with the rigours of her position. Olivia Colman, despite freshly minted with a Best Actress Oscar for portraying another British Queen in The Favourite, always had some big shoes to fill. As you might imagine with an actor of Colman’s character, she does just that. Nor does she attempt to simply replicate Foy’s performance.

To do so in the first place would have been a tactical error as Season 3, which takes place over a 13 year span from 1964 through to Elizabeth’s Silver Jubilee celebrations in 1977, presents a different Queen. The season premiere is called Olding and that forms part of the central theme in Morgan’s show this year: change. The opening scenes of the season nicely mark the actor transition as Elizabeth sees proposals for a new set of stamps, with her face replacing Foy’s; indeed Morgan bookends this nicely in finale Cri de Coeur when she is presented with a photograph from the late 40’s showing Foy and Matt Smith as Prince Philip. “How young we were” Elizabeth wistfully remarks. How young too, in a sense, was her country.

Season 3 is driven by not just Elizabeth’s and her family’s transition into different ages, roles, responsibilities and desires, but that of her country; a United Kingdom weathering economic downturn, socialist revolution, and the ripples of class war which continues the break down of the colonial Establishment on which her family was built. The Crown, halfway in, questions the state of monarchy itself in the modern age.

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