Alias, Episode Reviews, TV

ALIAS 2×12: ‘The Getaway’ (TV Review)

In 2018, I began my first deep-dive TV review series looking at JJ Abrams’ Alias, which ran from 2001-2006. This year, I’ll be looking at Season Two’s 22-episode run in detail…

While it may be the twelfth of a twenty-two part season, The Getaway without question is the penultimate episode of the ‘season within a season’ structure of Alias Season Two.

We have discussed Phase One for some time, whether directly or indirectly, but from roughly The Counteragent onwards, everything has been leading up to the next episode of the show, and consequently The Getaway works to both lock certain avenues off and set in motion key developments for Alias’ ‘Season 2.5’, which almost everything post-Phase One is. While A Higher Echelon served as the final traditionally structured episode of Alias, The Getaway is the definitive final episode of Alias in the style that it has been since the show’s inception. This is the final episode with Sloane in charge of SD-6. This is the final episode of Sydney working as a double-agent on a case that isn’t directly about bringing down SD-6 and the Alliance. This is the final episode of Alias we knew it.

The Getaway does however, to its credit, function as a solid conclusion to many of the narrative arcs in play across the first half of the season while telling a contained story, particularly arcing around the Syd & Vaughn relationship, that feeds into the broader continuing plots. Jeff Pinkner uses this episode to lock off the mystery surrounding Sloane’s blackmail and the subsequent loss of $100 million of the Alliance’s money, weaving it quite seamlessly around resolving Jack’s status as a fugitive from SD-6, his cover having been blown by Faye Dunaway’s counterintelligence operative Ariana Kane. Interestingly though, Pinkner actually ensures most of the pieces by the end are back where they were on the board: Jack and Syd are almost exposed but end up safely back in SD-6 under their deep cover.

This is perhaps designed to give the final scene a level of surprise, pulling the rug from under the audience just at the point you believe you’re on firm footing with The Getaway, and everything might be settling down and returning to normal, as it has done when Alias’ central quadrangle has come close to exposure before. Not this time.

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