Alias, Episode Reviews, TV

ALIAS 2×19: ‘Endgame’ (TV Review)

In 2018, I began my first deep-dive TV review series looking at JJ Abrams’ Alias, which ran from 2001-2006. This year, I’ll be looking at Season Two’s 22-episode run in detail…

You might not think it, but ‘Endgame’ is a surprisingly common episode title in genre fiction, and not just for the final episodes of seasons or even series.

Star Trek: Voyager memorably uses ‘Endgame’ as the title of its series finale, of course, and Highlander manages to squeeze a film subtitle out of it (although we know that story never really ends…), as recently has the Marvel Cinematic Universe with its epic Avengers finale. Numerous films, however, share the title, and Alias is by no means is the first series to deploy it. The seventeenth episode of The X-Files Season Two has the title End Game, and it crops up in shows as varied as Kyle XY, the BBC’s Holby City, The Equaliser, Babylon-5, Law and Order: SVU, Stargate SG-1 and on and on and on. It suggests finality and is described, frequently, as analogous to chess or games along similar lines. The endgame is the final stage of a game in which few of the cards remain.

That feels fairly appropriate to Alias at this stage because as we enter the last few episodes of Season Two, particularly after the shattering events of Truth Takes Time, a sense of tragic finality is falling across the series. Emily is dead and Sloane, consequently, has suffered a powerful loss at the very point he was on a high – he had facilitated Irina’s escape, he was assembling Rambaldi’s work, and Emily was even prepared to forgive him his trespasses out of her love for him. Her death sends him down a path of no return. Sydney, at the same time, has lost another mother in her life. Dixon has killed an innocent woman and is struggling to come to terms with his role in that. An ending feels in sight for these characters, even if Alias uses this point to pivot many of them again in a direction we didn’t, earlier in the season, see coming. Endgame also, along the way, manages to make a literal use of the title and weave it into the plot.

Endgame, while doing so, also manages to pick up and return to more of a stand-alone story thread that Alias didn’t necessarily need to focus on again, but serves as a key thematic point to explore that is resonating right now across the entire series: the security and fallibility of the American nuclear family.

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