There is every possibility we may look back upon Bandersnatch, the latest episode of Black Mirror, and be amazed at just what a pioneer it was.
Black Mirror has seeped into popular culture in a remarkable way since Charlie Brooker moved from being one of TV’s most entertaining cult comedians, when it comes to analysing popular media, and into the realm of writing and producing what could be the most innovative and format breaking television show of the modern age. Black Mirror has come a long way since its first Channel Four episode, telling the disturbing story of a David Cameron-parody being blackmailed into having sex with a pig live on television.
What began as a darkly comic examination of our evolving relationship with new media, akin to Brooker’s earlier scripted series Dead Set (zombies meets Big Brother), has grown into a 21st century Twilight Zone; a dark, indeed black mirror for our own fears, anxieties and cautionary tales about the technology we are allowing to dominate and consume our lives. While Brooker’s show, on being snapped up in a savvy move by Netflix and getting a hefty budget increase in the bargain, has benefited from A-list movie stars and directors wanting to be involved, the modern day Rod Serling has always had one eye on the past as he puts one foot in the future.
Bandersnatch feels like the ultimate realisation of Brooker’s fascination with retro 1980’s and 1990’s culture, particularly gaming culture. Fionn Whitehead’s troubled protagonist Stefan Butler could be Brooker in another, alternate life.Continue reading “BLACK MIRROR: ‘Bandersnatch’ (TV Review)”