Film, Reviews

Franchise Retrospective: MISSION IMPOSSIBLE: ROGUE NATION (2015)

If Mission Impossible: Rogue Nation confirms anything, it’s that the Tom Cruise-fronted franchise has spent almost two decades trying to work its way back to Brian De Palma and back to the roots of where the series began.

In some of my previous pieces on the earlier films in the Mission Impossible franchise, one fact that remains true is how the series consistently reinvents itself every few years in order to stay vibrant and relevant, but oddly enough Rogue Nation on reflection is not as bold a reinvention after 2011’s Ghost Protocol as you might remember. There is greater filmmaking skill involved, with Christopher McQuarrie imbuing more heft into his set pieces than Brad Bird managed in the previous film, while McQuarrie’s script (revised after efforts by Will Staples and before that Drew Pearce, with whom he shares a story credit) certainly has more depth to the storytelling. Beyond that, there is a consistency framing itself between this and Ghost Protocol, one which may well carry through into the next film, Fallout.

Rogue Nation is consistent in how it stylistically reaches back to the first film in the franchise while further mythologising Cruise and his character Ethan Hunt.

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Film, Reviews

Franchise Retrospective: MISSION IMPOSSIBLE: GHOST PROTOCOL (2011)

If you ran a poll asking the average film goer, and indeed the average film critic, which of the Mission Impossible films they considered to be the strongest outing in the franchise, you would have a significant amount point to Ghost Protocol. On the face of it, you can see why. Once you scratch deeper, those reasons become more opaque.

Though it took another five years after Mission Impossible III for Tom Cruise to slip back into the shoes of super spy Ethan Hunt, Ghost Protocol operates far more as a sequel to J.J. Abrams’ picture than any of the other Mission Impossible films. As I discuss in my piece on MI:3, this in no small part is down to the fact Abrams’ film rescued Paramount’s franchise from becoming lost inside its own mythic storytelling, and wrenched it further back towards the original fusion of team-based espionage and escapist theatrics Bruce Geller’s 1960’s TV series made so popular.

These aspects are fully embraced in Ghost Protocol after the groundwork and foundations were laid by Abrams but, once again, Mission Impossible continues Ethan’s story by reinventing itself.

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