The opening episode of The Office establishes, in broad strokes, the majority of storylines and thematic ideas that will run across the entirety of the two series and fourteen episodes of the show’s run.
Downsize first and foremost introduces the key, signature character of David Brent, our protagonist as played by co-writer/director Ricky Gervais, and placed him in context. Brent, almost immediately, works as a comedic creation. Gervais, and co-writer/director Stephen Merchant, provide an opening scene which gives us a very clear flavour of who Brent is – a self-aggrandising joker desperate to impress, yet without the arrogance that would distance him from the audience. Gervais plays Brent so painfully cheesy and wilfully, blissfully unaware of how uncool he is, that you can’t help but immediately find him funny. His opening monologue, delivered to an incumbent forklift driver called Alex, is a perfect introduction.
Gervais and Merchant then swiftly introduce the office setting that will be crucial in their depiction of a workplace purgatory; a status quo of middle England static inertia, characterised in how drab Slough—the location of paper merchants Wernham Hogg—is presented in the credits. Concrete edifices, a holdover from the brutalist architecture of the 1960s that infested towns across England; roundabouts; eternally overcast skies; and finally the view of an office building that could be any industrial estate in the country. The interior is equally unremarkable, and indeed was constructed as a set around a largely defunct office space that Gervais & Merchant wanted to retain the shabbiness off – a sense of eternal coffee stains and badly cleaned interiors. The employees themselves appear lifeless and drained of energy for their work.
It is perhaps the introductory to camera moment for Tim Canterbury (Martin Freeman), one of the audiences’ relatable surrogates, that perhaps sums up the initial impression of the setting of this new comedy. “I’m a sales rep, which means that my job is to speak to clients on the phone about quantity and type of paper, whether we can supply it to them and whether they can pay for it… and I’m boring myself talking about it…”