This year, 20 years on from the year 2000, I’m going to celebrate the first year of cinema in the 21st century by looking back at some of the films across the year at the turn of the millennium which took No #1 at the box office for their opening weekends.
This week, released on the weekend of June 16th, Don Bluth & Gary Goldman’s Titan A.E.…
Look, I know I keep cheating with my own rules when it comes to talking about the king of the box office, but the thought of writing lots of words about Gone in 60 Seconds, even watching it again, filled me with dread.
Dominic Sena’s film ruled the roost in the first weekend of June 2000, while Titan A.E. debuted the following weekend, and the Nicolas Cage/Angelina Jolie-starrer went on to a decent global box office take. It no doubt helped get The Fast and the Furious reboot on the road, which arrived in 2001, and given that has emerged to be the unlikeliest of most successful cinematic franchises ever, Gone in 60 Seconds has a lot to answer for with its high-octane nonsense. The F&F films are at least, for the most part, fun to watch. Gone in 60 Seconds presents itself as a fuelled up riot but ends up a hammy, badly projected slog that seeing once, quite some years ago, was more than enough. I am many things but a glutton for punishment? Not so much.
Titan A.E. fell short of John Singleton’s remake of Shaft next week, which this blog will cover, but this felt an interesting picture to cover simply for the fact animation hasn’t exactly been at a premium this year so far, and Don Bluth & Gary Goldman’s film honestly *should* have been quite something. All we’ve really had in 2000 is Dinosaur, an interminably dull picture with a far more intriguing backstory than eventual film, do some box office damage, so Titan A.E. had the space, as an independent animated picture backed by 20th Century Fox, to enrapture children and captive adults. Yet it did neither, collapsing at the box office in the wake of hundreds of animators on the film being fired as Fox Animation Studios collapsed, and the CEO who commissioned it, Bill Mechanic—who just a year or so earlier had Fight Club made—was shown the door.
It could be why you may not even remember Titan A.E., despite a strong cast, enjoyable science-fiction premise, and a wealth of promise. Twenty years on, it’s hard to even argue for it as a lost animated great.